Gordon
used the lighting in this photograph in a very unique way. Everything that was
unimportant had little to no lighting focused on it, and more important aspects
of the photo had vibrant white lighting surrounding it. The lifeless facial
expression made by Maurice Gaines, the dead gang member, is surrounded by the
most light in the picture. The light helps to emphasize how lifeless the man
actually is, how real the consequences of being a gangster can be, and could be
interpreted as an important guide for the other two men. This guide explains to
the other men that they are equal to Maurice, and that their fate could be the
same if they continue down the same path. The contrast between the Maurice’s face and the
bright white coffin make the specific location where they meet the focal point
of the picture.
Both of
the men are looking downward, and the photograph was taken in a similar manner.
It makes the audience feel as if they are a third man looking at the body,
while examining others reaction to what is before their eyes. This vantage
point makes a very personal statement to the audience and I believe that is why
he chose this angle and view.
Parks seemed
to have taken this picture in an attempt to take the temptation people had to
fall into this lifestyle away from them by showing them the real consequences
in a personal manner.

I like how Nicholas focuses on the camera angle and lighting in this picture. This feeling of being another mourner looking down into the coffin is a poignant recognition of death and its cause. I think you're right about how the light draws out attention to the three faces here, emphasizing some sort of connection between the living men and the dead Maurice. The fact that everything else is dark, that we can't see anything else in the room, further supports your interpretation. The fact that Parks includes the entire upper bodies and faces of the living men further supports your reading that there is a message being communicated between them, perhaps a warning. Otherwise, the camera might have been focused entirely on Maurice, just like the gazes of these men.
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